Georg Büchner · 1835

Dantons Tod

Paris, printemps 1794 : le plus célèbre orateur de la Révolution est las et doute, tandis que les hommes de la Terreur se rapprochent.

Dantons Tod (La Mort de Danton) est un drame en quatre actes de Georg Büchner, écrit en cinq semaines environ au début de 1835 et créé à Berlin en 1902. Il suit Danton et son cercle durant les derniers jours de mars et les premiers jours d’avril 1794, quand Robespierre et ses alliés se retournent contre eux. Büchner s’appuie sur des sources historiques et de longs passages de discours politiques réels, si bien que les personnages parlent autant qu’ils agissent.

Première publication
1835
Forme littéraire
play
Langue originale
Deutsch
Langues des textes publiés
Deutsch · vietnamien
Temps de lecture
≈ 1 h 25 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

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Black-and-white wood engraving of a walled yard full of people: a man in an open shirt stands at left, and at centre a man in a light shirt and breeches waits beside a tall wooden frame, while officers in tricorn hats and onlookers press round him.
Image associée. “Exécution de Danton”, wood engraving by Charles Barbant (1844–1921) after a drawing by Frédéric Théodore Lix (1830–1897), second half of the 19th century. It is a period image of an execution of Danton, not a picture from Büchner’s play, and it does not name the figures. Uncropped.Charles Barbant after Frédéric Théodore Lix, “Exécution de Danton”, wood engraving, second half of the 19th century, via Wikimedia Commons (scan credited there to Getty Images). Public domain. Source

Pourquoi cette œuvre compte

Dantons Tod is a four-act drama and Georg Büchner’s first play, set in Paris in the spring of 1794, during the lull between the first and second terrors. Georges Danton, who according to Wikipedia created the Revolutionary Tribunal, now wants the killing to stop, but he is tired, fond of wine and gaming, and doubtful about his own cause. Robespierre’s allies move against him and his friends. In the Conciergerie the prisoners argue about God, life and death as often as they plot. The play still feels alive because it shows a revolution as a machine that devours its own makers, and it gives ordinary people lines of their own, not only the orators.

Büchner’s method was new. He drew on many historical sources and quoted real political speeches at length, and in the twentieth century the play was read as a forerunner of documentary theatre, according to Wikipedia. He wrote the first full version in five weeks, from mid-January to mid-February 1835, while he feared arrest. That year a version appeared in Eduard Duller’s Phönix literary paper, edited by Karl Gutzkow, and a book edition carried a subtitle Duller invented to soothe the censor. The printed text was heavily cut. It is the only Büchner play published in his lifetime. No theatre dared stage it for decades; the first performance came on 5 January 1902 at the Belle-Alliance-Theater in Berlin.

Notice how often the scenes slide into talk: the prisoners debate God and death in the third act, a drunken citizen in the first act complains that his daughter must sell herself to feed the family, and Danton swings between resignation and the belief that the Convention will not dare act against him. Notice too that Robespierre is shown with a social conscience as well as a readiness to kill. Büchner’s own programme appears in a letter of 28 July 1835, quoted by German Wikipedia: the dramatist’s highest task is to come as close as possible to history as it really happened. This page uses a nineteenth-century engraving of an execution scene, not a stage picture from the play.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

Toutes les éditions

Original · source vérifiée

Dantons Tod

Deutsch

Dantons Tod · German, Project Gutenberg #5072

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Traduction · évaluée par IA

Cái chết của Danton

Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

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