Kahlil Gibran · 1923

The Prophet

El día en que llega su barco, un profeta responde a los habitantes de Orfalese sobre el amor, el trabajo, el dolor, la libertad y la muerte.

The Prophet (1923), de Kahlil Gibran, es un libro de 26 fábulas en prosa poética escritas en inglés. Tras doce años en la ciudad de Orfalese, el profeta Almustafa ve llegar el barco que lo llevará a casa y, a petición de la vidente Almitra, habla a la multitud reunida del amor, el matrimonio, los hijos, el trabajo, la alegría y el dolor, la muerte y otros temas antes de zarpar. Knopf lo publicó en Nueva York en 1923.

Primera publicación
1923
Forma literaria
poem
Idioma original
inglés
Idiomas de los textos publicados
inglés · vietnamita
Tiempo de lectura
≈ 51 min de lectura

No hay una traducción publicada en el idioma de esta interfaz. Puedes leer el original u otra edición disponible.

Leer · English
Pencil drawing of a man’s face seen from the front, with dark eyes, a moustache and a pale hood or cloth framing the head, fading into the paper at the edges.
Ilustración de esta obra. Kahlil Gibran’s pencil drawing of Almustafa, the prophet of the book, as reproduced in a scan of the 1923 Knopf edition of The Prophet (Wikimedia Commons also holds the same drawing as “Face of Almustafa”, dated 1923). Gibran’s own illustration for the book.Kahlil Gibran, illustration from The Prophet, Knopf, New York, 1923 (scan). Public domain. Wikimedia Commons. Fuente

Por qué importa

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran, first published in 1923 by Alfred A. Knopf. It is his best-known work. According to Wikipedia, it has been translated into more than 100 languages, sold more than nine million copies in its American edition alone by 2012, and has never been out of print. The frame is simple: the prophet Almustafa, about to leave Orphalese, is asked to speak, and he answers one question after another, from love and marriage to pain, friendship, prayer and death. It stays alive because the questions are the ordinary ones.

Its first sales were modest: of an ambitious first printing of 2,000, Knopf sold 1,159 copies, and Wikipedia reports that demand then doubled the following year and again the year after. Gibran’s biography adds that it sold well despite a cool critical reception. Gibran, who had grown up in Bsharri and moved to Boston as a child, wrote most of his work after 1918 in English; The Madman (1918) was his first English book. He had begun work on The Prophet around 1912. Born a Maronite Christian, he drew on Christianity, the Bahá’í Faith, Islam and Sufi mysticism, and sources also link the book to William Blake and Walt Whitman.

Notice the structure. The book is a run of short, self-contained addresses, each on one topic, so you can read them one at a time and in almost any order. It also carries Gibran’s own drawings, since he was a visual artist as well as a writer, and Commons holds scans of the illustrations from the 1923 edition. For a wider picture, read it alongside the Mahjar writers, the Arab émigré authors in the Americas with whom Gibran re-founded the New York Pen League in 1920. Content note: religious and spiritual language runs throughout, and death is one of the subjects.

Introducción redactada para LitMundi con ayuda de IA y contrastada con las fuentes que se indican abajo.

Todas las ediciones

Original · fuente verificada

The Prophet

English

The Prophet · English, Project Gutenberg #58585

Leer
Traducción · evaluada por IA

Nhà tiên tri

Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

Leer

La disponibilidad de traducciones sigue en estudio. Un borrador no demuestra que no exista una traducción.

← Volver a la colección