Kahlil Gibran · 1923

The Prophet

Le jour où son navire arrive, un prophète répond aux habitants d’Orphalese sur l’amour, le travail, la peine, la liberté et la mort.

The Prophet (1923) de Kahlil Gibran est un recueil de 26 fables en prose poétique, écrites en anglais. Après douze ans dans la ville d’Orphalese, le prophète Almustafa voit arriver le navire qui doit le ramener chez lui ; à la demande de la voyante Almitra, il parle à la foule rassemblée de l’amour, du mariage, des enfants, du travail, de la joie et de la peine, de la mort et d’autres sujets avant de s’embarquer. Knopf l’a publié à New York en 1923.

Première publication
1923
Forme littéraire
poem
Langue originale
anglais
Langues des textes publiés
anglais · vietnamien
Temps de lecture
≈ 51 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

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Pencil drawing of a man’s face seen from the front, with dark eyes, a moustache and a pale hood or cloth framing the head, fading into the paper at the edges.
Illustration de cette œuvre. Kahlil Gibran’s pencil drawing of Almustafa, the prophet of the book, as reproduced in a scan of the 1923 Knopf edition of The Prophet (Wikimedia Commons also holds the same drawing as “Face of Almustafa”, dated 1923). Gibran’s own illustration for the book.Kahlil Gibran, illustration from The Prophet, Knopf, New York, 1923 (scan). Public domain. Wikimedia Commons. Source

Pourquoi cette œuvre compte

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran, first published in 1923 by Alfred A. Knopf. It is his best-known work. According to Wikipedia, it has been translated into more than 100 languages, sold more than nine million copies in its American edition alone by 2012, and has never been out of print. The frame is simple: the prophet Almustafa, about to leave Orphalese, is asked to speak, and he answers one question after another, from love and marriage to pain, friendship, prayer and death. It stays alive because the questions are the ordinary ones.

Its first sales were modest: of an ambitious first printing of 2,000, Knopf sold 1,159 copies, and Wikipedia reports that demand then doubled the following year and again the year after. Gibran’s biography adds that it sold well despite a cool critical reception. Gibran, who had grown up in Bsharri and moved to Boston as a child, wrote most of his work after 1918 in English; The Madman (1918) was his first English book. He had begun work on The Prophet around 1912. Born a Maronite Christian, he drew on Christianity, the Bahá’í Faith, Islam and Sufi mysticism, and sources also link the book to William Blake and Walt Whitman.

Notice the structure. The book is a run of short, self-contained addresses, each on one topic, so you can read them one at a time and in almost any order. It also carries Gibran’s own drawings, since he was a visual artist as well as a writer, and Commons holds scans of the illustrations from the 1923 edition. For a wider picture, read it alongside the Mahjar writers, the Arab émigré authors in the Americas with whom Gibran re-founded the New York Pen League in 1920. Content note: religious and spiritual language runs throughout, and death is one of the subjects.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

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Original · source vérifiée

The Prophet

English

The Prophet · English, Project Gutenberg #58585

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Tiếng Việt

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