Katherine Mansfield · 1920

Bliss, and Other Stories

Catorce cuentos en los que un instante de alegría, aburrimiento o temor revela poco a poco lo que el personaje no admite.

El libro de 1920 de Katherine Mansfield reúne catorce cuentos, desde «Prelude», la mudanza de una familia de Wellington, hasta «Bliss», donde el ánimo radiante de una mujer en su propia cena choca con un descubrimiento indeseado. Otros relatos ofrecen la historia de un escritor parisino sobre un amor fallido y el retrato de una esposa enferma y su marido. Mansfield, nacida en Nueva Zelanda, ya padecía tuberculosis cuando lo reunió.

Primera publicación
1920
Forma literaria
collection
Idioma original
inglés
Idiomas de los textos publicados
inglés · vietnamita
Tiempo de lectura
≈ 4 h 33 min de lectura

No hay una traducción publicada en el idioma de esta interfaz. Puedes leer el original u otra edición disponible.

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Sepia snapshot of Katherine Mansfield seated in a deckchair on a lawn, an open book on her lap, trees behind her, mounted in an album with her name handwritten below.
Imagen relacionada. Katherine Mansfield, photographed by Lady Ottoline Morrell, 1916–1917 (National Portrait Gallery, London). A portrait of the author from the years she wrote these stories, not an illustration of the book.Lady Ottoline Morrell, Katherine Mansfield, 1916–1917. National Portrait Gallery, London (Ax140568). Public domain. Wikimedia Commons. Fuente

Por qué importa

Bliss and Other Stories is a 1920 collection of fourteen stories by the New Zealand-born writer Katherine Mansfield. It opens with “Prelude”, in which the Burnell family leaves one Wellington house for another and the children, the grandmother, the husband and the two sisters each get their own small, private weather. It also holds “Bliss”, the dinner-party story of Bertha Young, who is thirty and suddenly overcome by happiness. Elsewhere a Parisian writer narrates a failed love affair in “Je ne parle pas français”, and “The Man Without a Temperament” tells of an ill wife and her long-suffering husband. The book is alive because so little happens on the surface and so much is going on underneath.

“Prelude” began in 1915 as a longer work called “The Aloe”. After Virginia Woolf encouraged Mansfield to finish it, the Hogarth Press published the shorter version in July 1918. “Bliss” appeared in the English Review the following month, and several other stories, including “Mr Reginald Peacock’s Day” and “A Dill Pickle”, had run in The New Age. Mansfield was diagnosed with pulmonary tuberculosis in December 1917 and wrote “Je ne parle pas français” in early 1918 at Bandol; the version printed in this book was cut. Wikipedia calls her an important figure in the modernist movement, and this was the collection that gathered her recent work.

Notice how often a story turns on a single small object or gesture: a pear tree seen from a window, an aloe in a garden, a duck that walks on briefly after it has been killed. Notice, too, how quickly the point of view slips from one mind into another. In “Prelude”, which is divided into twelve short sections and opens in the middle of the move, readers can easily miss that Linda is pregnant. Read slowly, and ask what each character most wants to believe about the day. Several stories deal with unhappy marriages, illness and disloyalty, and the Prelude scene with the duck is not for every reader.

Introducción redactada para LitMundi con ayuda de IA y contrastada con las fuentes que se indican abajo.

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Original · fuente verificada

Bliss, and Other Stories

English

Bliss, and Other Stories · English, Project Gutenberg #44385

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