Natsume Soseki · 1906

草枕

Un peintre se retire dans une auberge de montagne isolée, tente de voir la vie comme un tableau et se laisse sans cesse troubler par l’hôtesse.

Kusamakura (« oreiller d’herbe »), roman de Natsume Sōseki paru pour la première fois dans la revue Shinshōsetsu en septembre 1906, suit un artiste retiré dans un hôtel de montagne isolé. Il esquisse peu, écrit des poèmes et s’intéresse à l’hôtesse, O-Nami. Le texte mêle des scènes à des méditations sur l’art.

Première publication
1906
Forme littéraire
novella
Langue originale
日本語
Langues des textes publiés
日本語 · vietnamien
Temps de lecture
≈ 2 h 48 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

Lire · 日本語
Oil painting of a young woman in a pale embroidered dress floating on her back in a dark stream, lips parted and hands open, among flowers, reeds and thick green riverbank vegetation under an arched top edge.
Image associée. John Everett Millais, “Ophelia” (c. 1851–52), Tate Britain. In Kusamakura the narrator is reminded of this painting by the hostess O-Nami (per Wikipedia’s plot summary). It is not an illustration made for the novel.John Everett Millais, Ophelia, c. 1851–52, Tate Britain; image via Google Art Project as recorded on Wikimedia Commons. Public domain. Wikimedia Commons. Source

Pourquoi cette œuvre compte

Kusamakura (草枕, “grass pillow”) is a short novel by Natsume Sōseki. The Aozora Bunko card gives its first publication as the magazine Shinshōsetsu, September 1906. An artist retreats to the mountains and stays at a remote, almost deserted hotel, where he becomes intrigued by the hostess, O-Nami. He makes only a few sketches and writes poetry instead. The title is a standard phrase in Japanese poetry for a journey, as translator Alan Turney explains. It stays alive because it asks what an artist is for: the book mixes scenes from the narrator’s withdrawn life with essay-like meditations on art and on the artist’s place in society, and those questions have not gone out of date.

Sōseki himself called Kusamakura a “haikuesque novel” whose essence was beauty, written in the hope of offering readers solace from the pains of life, according to Wikipedia. It was an experimental book, published in the same year as his comic novel Botchan, and its plot is thin by design. The narrator quotes and mentions Japanese, Chinese and European figures, among them Wang Wei, Tao Yuanming, Bashō, Laurence Sterne, Oscar Wilde and Henrik Ibsen, and discusses Lessing’s argument about the limits of painting and poetry. The English-language record is varied: two translations in 1927, Alan Turney’s The Three-Cornered World in 1965, and Meredith McKinney’s Kusamakura in 2008.

Notice how often the narrator tries to look at the world as if it were a picture, and how O-Nami keeps interrupting that attempt. Notice the Western painting that comes to his mind when he looks at her: John Everett Millais’s Ophelia, which is why this page uses that painting. Also notice the book’s argument about poetry: in chapter 12 the narrator defends the drowning of Sōseki’s student Misao Fujimura as a sacrifice made for poetry, a passage that has to be read with care. Content note: references to suicide by drowning; nothing is shown graphically. The Vietnamese text on this site is the site’s own translation, based on the Aozora Bunko Japanese text.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

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Original · source vérifiée

草枕

日本語

草枕 · Japanese, Aozora Bunko card 776

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Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

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