Rokeya Sakhawat Hossain · 1905

Sultana's Dream

Une femme rêve qu’elle entre à Ladyland, où les femmes dirigent le pays et où les hommes restent à la maison.

Dans un rêve, une femme est conduite à travers Ladyland, un pays où les femmes gouvernent, où la science repose sur l’énergie solaire et la maîtrise du temps, et où les hommes vivent reclus. Rokeya Sakhawat Hossain retourne la coutume du purdah et discute chaque stéréotype en le menant jusqu’au bout de sa logique. Le texte est court, enjoué et plus acéré que son ton doux ne le laisse croire.

Première publication
1905
Forme littéraire
Nouvelle
Langue originale
anglais
Langues des textes publiés
anglais · vietnamien
Temps de lecture
≈ 17 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

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Front page of The Indian Ladies Magazine, August 1901, with an engraved woman holding a book among palm fronds and lotus buds, and a table of contents.
Image associée. Cover of The Indian Ladies Magazine, vol. 1, no. 2 (August 1901) — the Madras magazine in which the story appeared in 1905. This is not an illustration of the story.Unknown artist, 1901, cover of The Indian Ladies Magazine, vol. 1, no. 2. Public domain (published 1901, author unknown). Wikimedia Commons. Source

Pourquoi cette œuvre compte

Sultana’s Dream is a short feminist science-fiction story set in Ladyland, a country where women run public life and men stay indoors, the practice of purdah turned upside down. It can be read in a single sitting, and its humour still lands: instead of shouting at gender stereotypes, it takes them seriously and follows the logic through. Rokeya Sakhawat Hossain wrote it in English, at about twenty-five, and the pages are lighter and more pointed than the word utopia suggests. A reader today will recognise the questions at its centre: who keeps the house, who is trusted with power, and who decides what counts as strength.

The story appeared in 1905 in The Indian Ladies Magazine, a Madras periodical, and in book form in 1908. Wikipedia calls it one of the earliest proto-feminist texts in its genre. What was new was the method: Rokeya lets technology carry the social argument. Ladyland has flying cars, farming without heavy labour, solar heat gathered and stored, and weather under control; crime has faded because men, the story reasons, were blamed for it, and the working day lasts two hours. In 2024 the work was inscribed on UNESCO’s Memory of the World Register for Asia and the Pacific, and artists keep returning to it, among them Chitra Ganesh, whose 2018 linocuts illustrate it, and Isabel Herguera, whose animated film dates from 2023.

While reading, notice the deadpan tone. The narrator, Sultana, is guided by a companion who explains each marvel as if it were common sense, and the comedy comes from how reasonable the reversal sounds. Notice too how often a practical invention is answered with a social point, and how little the story needs villains. The author lived what she wrote about: a Bengali Muslim woman in British India, she founded a girls’ school after her husband’s death, moved it to Calcutta in 1911 and ran it for twenty-four years. For readers in Vietnam and elsewhere in Asia, the story is an early voice from a colonised society arguing about education and women’s place in public life.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

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Original · source vérifiée

Sultana's Dream

English

Sultana's Dream · English, The Indian Ladies' Magazine 1905 (Penn transcription)

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Traduction · évaluée par IA

Giấc mơ của Sultana

Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

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