Heinrich von Kleist · 1810

Michael Kohlhaas

Un maquignon du Brandebourg, spolié de deux chevaux, mène une guerre privée contre la Saxe au nom de la justice.

Michael Kohlhaas, nouvelle de Heinrich von Kleist (fragment dans Phöbus en 1808, texte complet en 1810), suit un maquignon lésé par un petit noble. Quand les tribunaux le lâchent, il se lance dans une campagne violente et privée contre la Saxe. Kleist s’est inspiré de l’histoire, au XVIe siècle, du marchand Hans Kohlhase.

Première publication
1810
Forme littéraire
novella
Langue originale
Deutsch
Langues des textes publiés
Deutsch · vietnamien
Temps de lecture
≈ 2 h 22 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

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Black-and-white engraving of a stone chamber with a Gothic window and an oil lamp: a robed man stands with clasped hands looking down at another man bowed to the floor; an open doorway shows a town street at night.
Image associée. “Luther and Hans Kohlhase”, an engraving by Gustav König dated 1847 on Commons. It shows the historical Kohlhase, the 16th-century merchant who inspired the novella, with Martin Luther, who appears in both the real case and Kleist’s story. It is not an illustration made for Kleist’s text.Gustav König, Luther and Hans Kohlhase, 1847; image via akg-images as recorded on Wikimedia Commons. Public domain. Wikimedia Commons. Source

Pourquoi cette œuvre compte

Michael Kohlhaas is a novella by the German writer Heinrich von Kleist. Fragments appeared in his journal Phöbus in June 1808, and the complete text came out in the first volume of his Erzählungen in 1810. It tells of a horse dealer whose two horses are seized and worked to ruin by a minor aristocrat, and whose attempts to obtain redress are blocked by the aristocrat’s connections. It stays alive because the question is still ours: what does a person do when the legal system will not deliver justice, and what does the pursuit of justice cost? Kleist took the frame from the case of the 16th-century merchant Hans Kohlhase, who lived in Cölln on the Spree.

Wikipedia singles out the theme of betrayed justice and the fast-moving style as the reasons readers and authors have kept returning. The influence it lists is concrete. Franz Kafka devoted one of only two public appearances in his life to reading passages from it and said he could not think of the work without being moved to tears and enthusiasm. E. L. Doctorow called Ragtime, with its protagonist Coalhouse Walker, a deliberate homage; J. M. Coetzee’s Life & Times of Michael K is also named as influenced by it. Film adaptations followed, including Volker Schlöndorff’s in 1969 and Arnaud des Pallières’s in 2013. German-speaking doctors even coined a term, Kohlhaas syndrome, for a compulsive need to be right.

Notice how the story gives Kohlhaas a real grievance and then lets the cost of pursuing it grow, until the victim has become a man who burns, kills and demands more than the wrong he suffered. Notice too that Kleist works from an old chronicle: the German subtitle is Aus einer alten Chronik. The political background matters. Wikipedia notes that, after defeats against Napoleon, Kleist was committed to reform and could voice his ideals through Kohlhaas without seeming an agitator. Content note: arson, the killing of servants including an infant, a wife’s death after being struck, judicial violence and an execution by beheading; nothing is lingered over. The Vietnamese text on this site is the site’s own translation, based on the German text on Project Gutenberg.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

Toutes les éditions

Original · source vérifiée

Michael Kohlhaas

Deutsch

Michael Kohlhaas · German, Project Gutenberg #6645 (Ausgewählte Schriften)

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Traduction · évaluée par IA

Michael Kohlhaas

Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

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