Henrik Ibsen · 1879

Et dukkehjem

Une épouse qui joue la poupée dans un foyer respectable affronte une signature falsifiée, un maître chanteur et une porte.

Maison de poupée (Et dukkehjem, 1879) est une pièce en trois actes de Henrik Ibsen sur Nora Helmer, épouse et mère qui a secrètement emprunté de l’argent en falsifiant la signature de son père. Quand un employé de banque menace de la dénoncer, le mariage qu’elle croyait sûr est mis à l’épreuve. Écrite en dano-norvégien, la pièce a soulevé ce que Wikipédia anglophone appelle une tempête de controverse indignée et est devenue l’une des pièces les plus jouées au monde.

Première publication
1879
Forme littéraire
play
Langue originale
Norsk
Langues des textes publiés
Norsk · vietnamien
Temps de lecture
≈ 1 h 48 min de lecture

Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.

Lire · Norsk
Oil portrait of a bearded man with thick brown hair and round wire spectacles, in a dark coat against a dark green-grey background, looking steadily at the viewer.
Image associée. Portrait of Henrik Ibsen by Henrik Olrik, oil on canvas, dated 1879 (National Museum, Norway). It shows the author in the year the play was published, not a scene from it.Henrik Olrik, portrait of Henrik Ibsen, 1879, National Museum of Art, Architecture and Design, Norway. Public domain. Wikimedia Commons. Source

Pourquoi cette œuvre compte

A Doll’s House (Et dukkehjem) is a three-act play by the Norwegian playwright Henrik Ibsen, published in Copenhagen in December 1879 in an edition of 8,000 copies that, Wikipedia reports, sold out within a month. Its heroine is Nora Helmer, wife of Torvald, a newly promoted bank manager, and mother of three. She lives out the ideal of the nineteenth-century wife and is called his “little squirrel”. Beneath the Christmas bustle lies a loan she obtained by forging her father’s signature, and a bank clerk who threatens to expose her. The play stays alive because that family room is a place where power and love are hard to tell apart; according to Wikipedia, it was the world’s most-performed play in 2006.

What made the play a sensation was putting an ordinary marriage on stage as a case to be judged. In a note written in Rome on 19 October 1878, Ibsen called it a “modern tragedy” and wrote that a woman cannot be herself in an exclusively male society, with laws made by men. Wikipedia says the plot drew on the life of his friend Laura Kieler. In Germany the actress Hedwig Raabe refused to play it as written, and Ibsen wrote an alternative ending himself, in which Nora stays, later calling it a disgrace to the play. Nora’s slammed door became an emblem of the whole work, and in 1923 Lu Xun gave a speech on what happens after Nora leaves home.

As you read, notice how Ibsen compresses everything into one drawing room around Christmas: three acts, a handful of characters, a letter lying in a locked letter box. In an 1898 speech to the Norwegian Association for Women’s Rights, which Wikipedia cites, Ibsen disclaimed any conscious work for the women’s rights movement and said he had described humanity. Michael Meyer reads the theme as each person’s need to find out who they really are; Strindberg objected to Nora leaving her children. Content note: a wife condescended to and threatened with blackmail, a forged signature, implied heartbreak, a mother leaving her children; nothing graphic. The Vietnamese text on this site is the site’s own translation, based on the Norwegian Wikisource text.

Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.

Toutes les éditions

Original · source vérifiée

Et dukkehjem

Norsk

Et dukkehjem · Norwegian (Dano-Norwegian), Wikisource transcription

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Traduction · évaluée par IA

Ngôi nhà búp bê

Tiếng Việt

Bản dịch tiếng Việt bằng AI · đánh giá AI v2

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