La Princesse de Clèves
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La Princesse de Clèves · French, Project Gutenberg #18797
LireMadame de La Fayette · 1678
Un mariage arrangé à la cour d’Henri II et un sentiment qui doit rester caché : le roman de Madame de La Fayette, 1678.
La Princesse de Clèves est un roman français publié anonymement en mars 1678, généralement attribué à Madame de La Fayette. L’action se déroule entre octobre 1558 et novembre 1559 à la cour d’Henri II, où une héritière de seize ans épouse le prince de Clèves avant de rencontrer le duc de Nemours. Le texte utilisé ici est le Project Gutenberg #18797, qui comprend l’avertissement de l’éditeur et les quatre parties du roman.

La Princesse de Clèves is a short novel about court life, first published anonymously in Paris in March 1678. Its heroine is a sixteen-year-old heiress who marries the Prince de Clèves at the court of Henri II, then meets the Duke de Nemours and falls in love with him. Nearly every character except her is a real historical figure, yet the book reads less like a chronicle than like a study of a mind that holds desire back against duty. That restraint is why it still feels close.
Many critics regard it as one of the first psychological novels and the first roman d’analyse, or analysis novel. Before it, the French novel usually meant long romances, some running to twelve volumes, with many subplots. Madame de La Fayette kept the subplots few and let the inner life carry the story, so the central drama is a confession. The book sold well from the start, readers outside Paris waited months for copies, and its authorship was argued over in public. The first English version, from 1679, was credited only to “a Person of Quality”.
Notice the publisher’s preface, “Le Libraire au lecteur”, printed before the first part. It explains that the author chose to stay unnamed, because a name might lessen the book’s success and readers often judge a book by their opinion of its writer. Then follow the four parts, where a letter found in a dressing room and a portrait being painted at court both change what the characters believe. The reader has to weigh what the Princess says against what she does, and that gap is where the novel works.
Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.
La disponibilité des traductions reste à étudier. Un brouillon ne prouve pas l’absence d’une traduction.
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