La Princesse de Clèves
Français
La Princesse de Clèves · French, Project Gutenberg #18797
LeerMadame de La Fayette · 1678
Un matrimonio concertado en la corte de Enrique II y un sentimiento que debe ocultarse: la novela de Madame de La Fayette, 1678.
La princesa de Clèves es una novela francesa publicada anónimamente en marzo de 1678 y atribuida, en general, a Madame de La Fayette. La acción transcurre entre octubre de 1558 y noviembre de 1559 en la corte de Enrique II, donde una heredera de dieciséis años se casa con el príncipe de Clèves y después conoce al duque de Nemours. El texto que usa este sitio es el Project Gutenberg #18797, que incluye la advertencia del editor y las cuatro partes de la novela.
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Leer · Français
La Princesse de Clèves is a short novel about court life, first published anonymously in Paris in March 1678. Its heroine is a sixteen-year-old heiress who marries the Prince de Clèves at the court of Henri II, then meets the Duke de Nemours and falls in love with him. Nearly every character except her is a real historical figure, yet the book reads less like a chronicle than like a study of a mind that holds desire back against duty. That restraint is why it still feels close.
Many critics regard it as one of the first psychological novels and the first roman d’analyse, or analysis novel. Before it, the French novel usually meant long romances, some running to twelve volumes, with many subplots. Madame de La Fayette kept the subplots few and let the inner life carry the story, so the central drama is a confession. The book sold well from the start, readers outside Paris waited months for copies, and its authorship was argued over in public. The first English version, from 1679, was credited only to “a Person of Quality”.
Notice the publisher’s preface, “Le Libraire au lecteur”, printed before the first part. It explains that the author chose to stay unnamed, because a name might lessen the book’s success and readers often judge a book by their opinion of its writer. Then follow the four parts, where a letter found in a dressing room and a portrait being painted at court both change what the characters believe. The reader has to weigh what the Princess says against what she does, and that gap is where the novel works.
Introducción redactada para LitMundi con ayuda de IA y contrastada con las fuentes que se indican abajo.
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