Много ли человеку земли нужно
Русский
Много ли человеку земли нужно · Русский, Собрание сочинений в 22 т., т. 10
LireLeo Tolstoy · 1886
Много ли человеку земли нужно
Un paysan russe ne cesse d’acheter plus de terre, jusqu’à ce qu’une offre bachkire lui demande de parcourir sa parcelle avant le coucher du soleil.
Pakhom, un paysan, croit qu’avec assez de terre il ne craindrait rien, pas même le diable. Il achète, déménage et rachète, jusqu’à ce qu’un marché conclu avec les Bachkirs, dans la steppe, mette une journée de marche entre lui et tout ce qu’il désire. Tolstoï le raconte en quelques milliers de mots, simplement, comme une fable.
- Première publication
- 1886
- Forme littéraire
- Nouvelle
- Langue originale
- Русский
- Langues des textes publiés
- Русский · vietnamien
- Temps de lecture
- ≈ 16 min de lecture
Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.
Lire · Русский
Pourquoi cette œuvre compte
How Much Land Does a Man Need? is a short story that reads like a parable and behaves like a thriller. Its hero, the peasant Pahom, is not a villain; he wants a little more security, then a little more, and every step is reasonable until the total is not. The setting is rural Russia, with farms near Samara and a journey to the Bashkir lands, yet the appetite at its centre is easy to recognise in anyone who has priced a house, a promotion or a bigger plot. Tolstoy writes without ornament, in sentences close to speech, and that plainness is the point: the story never lectures, it keeps counting.
Tolstoy published it in 1886, a few years after the spiritual crisis he described in Confession (1882). James Joyce, according to Wikipedia, told his daughter Lucia it was the greatest story in world literature; Ludwig Wittgenstein is another well-known admirer. The story has travelled well: it became a 1969 West German film by Hans-Jürgen Syberberg, an episode of the 1986 Indian anthology series Katha Sagar, and a graphic novel by Martin Veyron, published by Dargaud in 2016. It shows how a fable can carry realistic detail, such as prices, journeys and neighbours, without losing its shape.
As you read, watch the devil. He is mentioned early in a boast and returns in a dream, and the story lets you decide how literally to take him. Notice how Pahom’s contentment never lasts longer than the first harvest, and how much of the plot is simply distances: what he can walk, what he can afford, what he can see. The ending is announced by the title and still lands; the story leaves its answer to the very last line, and its last measurement is the most exact. Readers of Vietnamese will find the question familiar from proverbs about greed; the story simply gives it a landscape.
Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.
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