Heart of Darkness
English
Heart of Darkness · English, Project Gutenberg #219
LireJoseph Conrad · 1899
Sur un navire à l’ancre dans la Tamise, un marin raconte sa remontée d’un fleuve africain en vapeur, à la recherche d’un certain Kurtz.
Charles Marlow, qui attend la marée sur la Tamise, raconte à ses compagnons comment il a accepté de commander un vapeur fluvial pour une compagnie belge d’ivoire, en Afrique. Sa mission est de retrouver Kurtz, un négociant célèbre devenu silencieux. Conrad s’est appuyé sur son propre service au Congo en 1890, et le récit n’a cessé d’être discuté depuis.
Aucune traduction publiée dans la langue de cette interface. Vous pouvez lire l’original ou une autre édition disponible.
Lire · English
Heart of Darkness is about thirty thousand words long and has been read, assigned and argued over for well over a century. It opens on the Thames, where the sailor Marlow tells his story in the dark, and almost everything after that is told at one remove: what Marlow saw, what he was told, what he guessed. That distance is the book’s method, and it is why it still unsettles. It asks how a story about faraway cruelty is told to people comfortable at home, and who is entitled to tell it.
Conrad published it as a three-part serial in Blackwood’s Magazine in February, March and April 1899; the February issue was the magazine’s 1,000th. It reached book form on 13 November 1902 in Youth, A Narrative; and Two Other Stories. The river is never named, but the Congo Free State was then King Leopold II’s personal colony, and Conrad had commanded a steamer there in 1890. In 1975 Chinua Achebe called the book “an offensive and deplorable book” for how it treats Africans, and Things Fall Apart (1958) was written partly in answer to Conrad. T. S. Eliot took an epigraph from it for The Hollow Men.
Notice the frame: who is speaking, to whom, and how often Marlow admits he cannot make the experience clear. Notice what the story shows of the colonial enterprise and what it leaves unseen, and ask whether the narrator’s blind spots are the author’s. Vietnamese readers will recognise the afterlife of the story in Coppola’s Apocalypse Now (1979), which moves the journey from the Congo to the Vietnam War. The book repays slow reading, a page or two at a time.
Présentation rédigée pour LitMundi avec l’aide de l’IA et vérifiée d’après les sources ci-dessous.
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