Goblin Market
English
Goblin Market · English, Project Gutenberg #16950
ReadChristina Rossetti · 1862
Two sisters live beside a glen where goblin merchants sell luscious fruit, and one of them pays with a lock of her hair.
“Goblin Market” is a narrative poem by Christina Rossetti, published in 1862 in her first commercial volume. Two sisters, Laura and Lizzie, hear goblin merchants crying their fruit at the glen, and Laura buys some with a lock of her hair. What follows is a story of craving, decline and a sister’s rescue. Readers have taken it as a fable of temptation, a study of Victorian women and the marketplace, or a plain tale of sisterly devotion.

“Goblin Market” is a narrative poem of 567 lines, in the numbering of the Project Gutenberg text, by Christina Rossetti, published in 1862 in her collection Goblin Market and Other Poems. Two sisters, Laura and Lizzie, live alone and draw water from a stream each evening. Goblin merchants, who in the poem look like animals with cats’ and wombats’ faces and tails, call out their orchard fruit at twilight. Laura, short of money, pays with a lock of golden hair and a tear, then gorges on the fruit. After that she can no longer hear the goblins, and she wastes away for want of more. The poem moves fast and sounds like a nursery chant until it turns dark.
Wikipedia notes that the poem has been read in sharply different ways. Some critics see feminine sexuality and Victorian social codes, others a critique of the marriage market or of the new world of advertising; some see Adam and Eve, and in Lizzie’s “Eat me, drink me, love me” an echo of communion; others note a parallel with addiction. Rossetti herself told her publisher in a letter that it was not meant for children, though she often said in public that it was. Her volunteer work from 1859 at a Highgate refuge for women is sometimes linked to it. Her brother Dante Gabriel Rossetti designed the frontispiece and title page of the 1862 book, and Tennyson, Swinburne and Hopkins admired the poem.
Notice the sound: lines of three or four stresses, rhymes that repeat in runs or arrive many lines late, and the goblins’ sales cries that open the poem and keep returning. Notice what the goblins sell and what is sold to them, and how the ending turns a ruinous bargain into an act of generosity. Notice also that the poem refuses a single moral, however neatly its last stanza states one. Content note: a girl who craves a forbidden fruit and nearly dies of it; sensual images of eating and an assault by the goblins, framed as a fable and not graphic. This page uses the 1862 frontispiece. The English text is from Project Gutenberg.
Introduction written for LitMundi with AI assistance and checked against the sources listed below.
Translation availability is still being researched. A draft is not evidence that no translation exists.
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