注文の多い料理店
日本語
注文の多い料理店 · 日本語, ちくま文庫『宮沢賢治全集8』(青空文庫)
ReadMiyazawa Kenji · 1924
Two city gentlemen, lost in the mountains, find a restaurant whose every door carries one more polite request.
Two hunters in Western-style dress lose their guide in the mountains and, cold and hungry, come upon a Western-style restaurant. Behind each door hangs a sign, welcoming at first and stranger with every room. Miyazawa Kenji’s story turns on the double meaning of its title word chūmon: an order as a request, and an order as a meal.
No translation is published in this interface language yet. You can read the original or another available edition.
Read · 日本語
Restaurant of Many Orders (注文の多い料理店) is a short children’s story that reads like a joke told with a straight face. Two men in smart hunting clothes, a guide who drops out of sight, a house that has no business being there: the setup is simple enough for a child. The menace comes from the fact that nobody raises a voice. Each sign is polite, each explanation is almost reasonable, and the reader, like the two men, keeps agreeing to one more small thing. It is quick to read, and the unease lingers longer than the plot does.
The engine is a pun. 注文 means both an order given and an order placed, and Miyazawa lets the signs slide from one sense to the other while the men keep reading them in the flattering one. The story appeared in 1924 in a self-published collection of children’s tales. Miyazawa, who taught agricultural science in Iwate, sold little and, according to Wikipedia, was paid for his writing only once in his life: five yen for a single story. Recognition came after his death in 1933. The tale has been adapted as puppet animation (1958), a TV drama (1990), an animated film (1993) and an NHK segment (2013).
Read each sign twice: once as the men do, and once as someone who knows what restaurants are for. Watch how their confidence about being the customers changes from room to room, and how little the narrator explains. No rule is announced and no villain is described; the comedy and the dread come from the gap between what the signs say and what they do. Miyazawa trained in agricultural science and geology, and the story keeps an eye on the mountains and animals around its two city visitors, who are very far from home.
Introduction written for LitMundi with AI assistance and checked against the sources listed below.
Translation availability is still being researched. A draft is not evidence that no translation exists.
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