Chapter 1: The Bridge
3,015 words ·14 min read · EN / VI
Tuesday 27 August. Westbrook General, then the house on Ellery Street.
The bell at Westbrook High had a flat, unhappy note, and the hallway was still ringing from it when Madison Stone put her shoulder into Lyra Chen's.
Not hard. That was the thing about Madison — she calibrated. Lyra's sketchbook went down on the linoleum and slid under a bank of lockers and the pages fanned out, and half the corridor stopped to look, because half the corridor had been looking most of the day.
"Sorry," Madison said. "Didn't see you."
She had a way of saying sorry that made it a small door held open onto a larger room.
Lyra knelt and gathered the pages. She did not look at Madison, because looking was how it got worse. What she could see without looking was worse enough: a dense, knotted snarl of grey-white running from Madison's collar to the inside of Madison's wrist, and threaded through it, thin and steady and carrying on regardless, a filament of the same colour heading down the corridor toward a boy called Zach who was pretending very hard not to notice any of this.
She's hurting him, Lyra thought, and then, because she was sixteen and honest with herself in the privacy of her own skull: He's letting her. That's not the same thing.
"Okay," said a voice behind her. "I've got the rest."
Katie Doyle crouched down beside her and started picking up pages, and Lyra noticed, as she always did, without being able to stop noticing, that the space between the two of them was full of something. Not a colour she had a name for. A braided, warm, slightly fraying thing, gold at the middle, and thinning at both ends.
"Show-off," Katie said, holding out a corner of the sketchbook. "You draw people like they're made of wire."
"It's charcoal."
"It's not the medium, you know what I mean." Katie straightened up, dusting her knees. "Zach's over by the water fountain pretending to read. Are you going to say something to him, or are you going to do that thing you do?"
"Do what thing I do?"
"You tell me you do nothing, and then you do something."
Lyra's face went hot. "I don't do anything."
"You fixed his and Katie's — okay, not yours and mine, mine and his — you fixed the thing between us last month. In here." Katie touched her sternum, in the place where people put a hand when they mean here. "He was going to transfer schools over it, and now he won't shut up about my eyes. You said you did nothing."
"Things fray," Lyra said carefully. "They fray and sometimes they mend back on their own. Sometimes."
"Uh-huh." Katie looked at her for a moment too long, in the way that Ms. Rivera had started looking at her too, and Lyra decided, for the hundredth time, that she was imagining it. "Sorry about your dad. My mom said he's back at the hospital."
"He got home."
"He got back to the hospital." Katie's mouth went flat. "Lyra. That's a different sentence."
The phone rang at two in the morning and she was awake before the first ring finished, which she did not examine at the time.
"Miss Chen? Your father collapsed in the waiting room. You should come. Now."
The drive blurred. She was sixteen and had never driven, and she got on the wrong side of the car twice, and the whole time the thing in her chest was making a noise she had no word for.
This is the night it's real, she kept thinking. This is where I find out if I've been doing this to him.
She had been asking herself that question for two years and she had no way to ask it out loud, because the sentence Dad, I think my brain is hurting yours is not a sentence a person can say to her father.
What she had instead was this: for two years she had drawn people the way other people drew scaffolding, and the drawings had got worse — not less accurate, worse — the lines thicker, the connections denser, the whole thing starting to look less like a drawing and more like a wiring diagram of something that was already built. And for two years, on and off, her father had had headaches. And she had put the two facts side by side in her head, where she looked at them a great many times a day, and had never once been able to make the join.
The hospital had the smell of every hospital. She got lost twice on the way up. A woman in scrubs took her arm at the lift and said third floor, honey, he's in 312 in the voice people use when they are being kind on purpose, and Lyra understood, immediately and completely, that people used that voice at funerals and not anywhere else.
He was smaller than he had any right to be.
That was the first thing. Everything else — the monitors, the woman with the clipboard, the strip of tape on his forearm — was furniture, and she could look past it. But Wei Chen had always taken up slightly more space than his actual body warranted, the way very tall people do, and in that bed he took up exactly as much space as his body warranted and no more.
There was dried blood under his nose. She sat down on the plastic chair because her legs had made the decision for her.
His eyes were open. They did not focus at first. Then they did, and they went to her face, and something happened in them that she had never seen before and did not know how to read, and it took her a moment to identify it because she had never seen it directed at her before.
Guilt.
"Dad—"
"Lyra." His voice was scraped out. "The headaches. I need to tell you about the headaches."
She put her hand on his, and the hospital noise went out of the room.
She could see it. She had been able to see it for months and had told herself she was imagining it: the silver-grey line between them, the one that had been the warmest and steadiest thing in her life since she was old enough to notice such things. It was not dim. It was thin, and thinning, and along the thin part there were dark places where the light simply stopped — gaps, like missing teeth — and at each gap the line buzzed with a fine, high, wrong sound that she had been hearing for a year and had finally let herself name as a sound.
Shadows that move wrong. Lights that shouldn't be there.
He was seeing them too.
"It started when you began drawing those connections," he said. "Didn't it."
It was not a question, and it was not an accusation, and that was the worst part. He had assembled this a long time ago, on his own, in a room where nobody was drawing anything, and had been carrying it alone, and had not said a word.
"How long?" she said.
His mouth did something complicated.
"Weeks," he said. "At first. Months, I told myself." He closed his eyes. "Last night it was days."
The monitor beeped. Somewhere down the hall a machine announced something in a voice designed not to worry anybody.
"Dad—"
"Promise me one thing." He got his hand up, a small effort, and she understood that it had cost him. "Don't sit here and decide this is your fault. I don't know that it is. I want you to hear me say that I don't know, because in about four minutes somebody in a white coat is going to tell you a great deal more than I can, and I want it to start from the right place."
Lyra discovered that she had put her hand over her mouth.
Outside the window, the parking lot was the colour of wet slate, and somewhere down at the far end of it a car alarm was going off in the specific stupid rhythm of a car alarm, and a nurse walked past with a coffee cup, and the ordinary world carried on being the ordinary world at the exact moment the ground came out from under it. Lyra looked at it, and away, and at it again, and understood that this was what her life had been doing for two years, and that she had only just now caught up with it.
"Okay," she said.
"Okay?"
"Okay. Not yet." She put her chin on the edge of the bed so that she was level with him, which was undignified, and she did not care. "But I'm going to be there when you find out. I'm going to be there for all of it. Whatever it turns out to be, I'm not going to be somewhere else."
Wei Chen turned his head on the pillow and looked at his daughter, and the dark places along the line between them did not get any better, and he said, "You are a strange girl, and I am extremely glad you are mine," which from her father was the equivalent of a parade.
She did not sleep.
At ten past four the neurologist who had been dealing with Wei Chen for two years came in and introduced herself as Dr. Ngozi Ekwueme of Westbrook General and Lyra said, automatically, that her father had already seen somebody, and the woman said, patiently, that she was the one, and had been for two hours.
"How much do you know about what he can see?"
"More than he thinks I do."
"Then you can save us both some time." She pulled up a chair, which Lyra would think about later, because it was the small hours of a Tuesday, and this woman had sat down next to a frightened teenager instead of standing over her. "Do you see threads, Miss Chen? Coloured lines between people, and places, and objects?"
Lyra's whole body went hot and cold at once, the way it had been doing about twice a week for a year.
"Yes," she said.
"Thank you." Ekwueme did not move, did not soften, did not reach for her hand. "And how long?"
"Since I was little. Faintly. Properly — about two years. It's been getting — " She stopped.
"It's been getting louder. Yes. That's the word I'd have used." Ekwueme turned a tablet around. "Your father started with the same thing. The visual cortex and the temporal lobe, here and here, are running hot. Not damaged. Working too hard. He has been interpreting information his brain was never built to handle, continuously, for years, and it is using energy it doesn't have a budget for."
"That's what I was afraid of," Lyra said. "That I did it to him."
"That's a very reasonable fear and it is not what this is." Ekwueme's mouth tightened a little, which Lyra later learned meant that she was about to be more careful rather than less. "This is called sympathetic thread bleed. When a seer's perception runs, it creates feedback. Not a metaphor — feedback, in him, in his own brain, and he is close enough to you, and you to him, that the loop closes. In most people it gives headaches. Confusion. In some cases it gives seizures, and in some cases it gives this."
"How long does he have?"
Ekwueme did not answer immediately, and Lyra found that she had been counting the seconds.
"Without treatment, a few months. I want to be honest with you about how few." She put the tablet down. "There are things we can do. Manageable things. But the underlying problem is that your father is standing next to a live wire, and I cannot insulate him from it, because the insulation would have to be him, and he does not want that."
"What does he want?"
"He wants to be there when you find out what you are." Ekwueme stood up. "That is a real answer, by the way. People find it easier to believe in treatment than in the alternative. It is not a stupid thing to want."
Outside, the sky had gone the colour of a nickel. Somewhere on the floor below, a door opened and closed.
"How do I stop it?" Lyra said. "Being what I am — is there a way to turn it down, to make it quieter, so that—"
"Miss Chen." Ekwueme waited until Lyra looked at her. "You are sixteen. The person who is going to have to decide whether you turn it down is you, and you are going to be in a position to decide it better than anyone in this building, including me. What I am going to do is find you people who can teach you how to use it without spending him, and I am going to tell your father that if he refuses, I will overrule him, because he is not in a position to make decisions about his own neurological future this morning."
She was at the door when she turned back.
"He asked me one thing, and I said I would pass it on, and I am passing it on. He said: tell her it is not a debt. If it is a debt, she will spend the rest of her life trying to pay it, and there are better uses."
And then she was gone, and the room made the noises a room makes, and Lyra Chen sat in the chair beside her father's bed with her hands flat on the blanket and did not cry, and noticed that the line between them was still there, thin as wire, dark in three places, and still warm.
The last time she saw Katie and Zach's thread do anything was in April, in the art room, and it was the only other time she had ever deliberately touched one, and she had never told anybody, and she thought about it more than she thought about almost anything.
They had been fighting since September. The thread between them had been fraying for months — she could see it from across a crowded room, the gold gone pale and full of little breaks — and on the day it happened, Katie was crying at the back of the room and Zach was pretending to work on a piece that had forty minutes of work left in it, and something in Lyra's chest simply went.
She did not decide to. That was the part she could never get past afterwards. There was no moment where she thought I will fix this, and then a moment where she did it. There was only the sensation of a tangle in her chest coming loose, and then Katie had stopped crying, and Katie had looked up, and Katie had gone very still, and then Katie had said, in a voice with no breath in it, oh.
She'd crossed the room on her knees. She'd put her hand flat on the desk next to Katie's drawing, and she had not touched Katie, and she had not touched the thread either, not exactly. She had said, out loud, the way you talk yourself through a door: hold on, hold on, that's it, there, that's it.
The line had run warm and thick and whole, and Katie had looked at her and said what did you do, and Lyra had said nothing, and Katie had said you did something, and that had been the end of it, because on the following Monday they were in the corridor outside the art room and Katie had said Zach says sorry about the thing with the duffle coat and Lyra had said okay and Katie had said do you want to walk with me and Lyra had said yes.
The thing that had got her was that it had worked.
Not well. Not completely. In the corridor that Monday, the line between them was still fraying in two places, and it was still gold, and it was thinner than it had been in September, and Lyra understood — she had understood at the time, standing in the middle of the art room with her heart going like a bird's — that she had not fixed anything. She had pulled two loose ends together and knotted them.
Katie and Zach got back together that year. They broke up twice more before they left Westbrook, both times by text, both times within three weeks, both times for reasons that had nothing to do with threads.
But they had got back together. That was the part that Lyra could not put down, and that she had never been able to explain to anybody, not even to herself, and certainly not to Ms. Rivera, who had cornered her at the end of that April and said, You drew something true in that assignment, Lyra. Something true and not artistic. Come and see me when you're ready, and had then, with what Lyra now understood as an almost unnerving restraint, not mentioned it again.
Two gold threads. One September. One April.
And her father, in Room 312, with dark places in him.
Lyra sat in the chair and looked at the places where the line between them had gone out, and thought, with a clarity that arrived fully formed and without comfort:
I do not know what I am. But I know what it costs, and I know I have already started paying it, and I have been paying it in other people's lives without asking any of them.
That was the morning everything turned over. It did not feel like turning over. It felt like a Tuesday, in a hospital, with bad coffee.
Thread Resonance Note: Thread-sight confirmed, multi-spectrum, late onset. Sympathetic bleed confirmed in a first-degree relative. Prognosis: guarded. Referral: see attached. Recommend Academy intake evaluation.
Read in Vietnamese
Bản tiếng Việt →